|
|
|
|
|
|
|
* parkour
workshop in paris
|
|
|
Parkour
(or "art du déplacement") is a french
artistic sport
making use of urban architectural infrastructures. It is for us a a
valuable source of inspiration in terms of creative use of the urban
environment. In order to explore potentials for Sonic City to support
new kinds of urban interactions and practices, we held a workshop with
3 parkour practitioners (or "traceurs") in Paris, in October 2002.
In the first phase of the workshop, we
accompanied the traceurs as they showed us how and where they
practiced. In the
second part, we engaged a discussion around their
personal stories, histories, and lifestyles. Through mapping
activities, we explored the rituals of preparation, social relations
and organisation, and situations of perceptual and physical engagement
with the city. From this, we drew inspiration for developing Sonic City
in ways that
leverages and complementes both existing and unexpected ways of using
the city.
An interesting realisation
for us
was the evolution and
personal adaptation of each workshop participant in their own practice:
from mastery of individual moves and personalised sequences, to the
appropriation of particular objects or systems of architectural
elements in the city. It was the physical urban framework and basic
physical rule-sets that enabled creativity, expression, and integration
of the practice into their (personal and social) lives in a meaningful
way over the long term.
|
|
* notes on mapping activity
|
 |
participant 1
|
|
|
Location: a street/space in
the participant's suburb
Focus: contextual sequences
Description started with a
clear
drawing to scale of the
characteristics of the whole physical environment, everything drawn as
a continuous, joined line/shapes – afterwards moving through and use of
the aspects of the space were drawn in alongside verbal description.
Size, shapes and scale of things (analytic aspects) seem to be
important, but as part of a continuous experiential circuit that could
continue (off the paper)…
|
|
 |
participant 2
|
|
|
Location: playground
in the participant's suburb
Focus: object-oriented continuity
Description was of a
confined area
meant for 'playing' already.
Each object in the environment was carefully described – the fence,
gates, trees, even the garbage can was carefully marked. Each object
was used and reused for multiple purposes and moves, with an emphasis
on mastery of the physical technique in relation to the existing
objects as given challenges.
|
|
 |
participant 3
|
|
|
Location:
sites within the town of Tours
Focus: technique combinations
While drawing simple shapes,
the
participant explained the ways in
which they accommodated the kinds of moves, with a focus less on
continuous movement across/through a space than on exploring
(perfecting?) multiple actions within the limits of a small space.
Often there are 'breaks' when the participant must to stop and think or
walk to the next space. Man-made and natural objects (from walls to
tree branches) require different techniques and interesting new
combinations.
|
|
* notes on group discussion
|
|
Spatial situations:
practice involves mostly fixed furniture and objects between the
buildings, including railings, small wall, air ducts, ramps, traffic
posts, fences, stairs; we saw jumps between walls over a
ramp, large sculptural air ducts, long ramp (railings and underneath
using supports) and a kids' playground.
Physical technique: classic moves are 'saut de chat (cat jump)', 'saut
de bras (arm jump)' – they start with these first (learning and as a
basis of practice) and then improvise; mostly, they would approach an
object, one would try and the other would follow, and sometimes they
would repeat it, discuss together, or move on.
Practice: one participant
practices diligently 10 hours a week and
alone; another practices on the way home from school informally; two of
them practice a lot together. Mostly they practice every day (not at
night), year round. It is a 'complete' sport in terms of
physique and exercise/martial art, concentration, achievement and
pride.
Group identity: they
recognise
other practitioners (strangers) by how
they move and walk in the city, rather than a way of dressing or other
social code – what defines them is
the practice itself, not T-shirts or websites. Parkour is a mode of
expression, a way of meeting
people (coming to Paris, through the internet etc), though the
standards of belonging are defined by level of dedication and
accomplishment in practice.
|
|
|
|